It walks you through how to work with LUTs in your NLE and shows you how they can change the entire look of your footage. Now if you’re wondering how to use all of these free LUTs, check out the video below.

Just keep that in mind! The difference it makes is stunning! Image via Stefano Garau. So, if you’re shooting on a more standard color curve, these LUTs could be too intense when applied to your footage. That means they were designed to be applied to footage with a significantly flat look. The main thing to note is that these LUTs were designed for Log footage. CLICK HERE TO DOWNLOAD THE FREE LUTsīy downloading this FREE LUTs pack, you agree not to resell or redistribute these assets. Easy to understand video tutorials included. The authentic look and unique animation will surely attract viewers’ attention to the titles as well as increase the feel of the purpose. The pack is fine-tuned to recreate some clean, cinematic looks that you can use as a starting point for your footage.Ĭlick to download these FREE LUTs, as well as a 15% off coupon from Shutterstock. This is a set of 33 Cinematic title designs which will help you to enhance your film credits greatly. The review was originally written by Todd Blankenship who actually ended up using the tool to make these LUTs. And that is what we are doing in the Color Space Transform node before the LUT.Recently, we published an in-depth review of the new color grading tool, Photon.io. In order to use our Kodak LUT, we’ll have to convert our digital footage into the color gamma space of the scanned footage. The scanned film footage comes in the color space gamma “Cineon Film Log”. Why “Cineon film log”? That is because the LUT is actually designed for scanned film footage. To fix this, we’ll select the node before and change the output gamma to “Cineon Film Log”.But as we apply the Rec709 LUT, we see that it is overly contrasty footage. We will go to film looks under LUTs and select Rec709 Kodak 2383 D55.And don’t forget to check out the 10 FREE VIDEO LUTs we’re giving away at the bottom of the article. But that will be the topic of some other day. This list includes free cinematic LUTs and free conversion LUTs for Premiere Pro, Davinci Resolve, Final Cut Pro, and After Effects. It basically works in replacement of a Log to Rec709 LUT, only offering more utility and flexibility. For those who don’t know what the last node does here, it basically transforms your footage from the color space it was shot into Rec709. Our current node tree involves white balance, Primaries, grain, and Rec709 Color Space Transform. After we have imported and graded the footage.

Free cinematic luts davinci resolve